Valton Tyler's "Fire," 1992, at Valley House Gallery (Courtesy the artist and Valley House Gallery, Dallas)
Ambreen Butt's "I am All What is Left of Me," 2015, at the Dallas Contemporary (Courtesy the artist and the Dallas Contemporary)
Howard Sherman's "Speed at the Expense of Depth," 2016, at Circuit12 Contemporary, one of galleries in the Design District curating exhibitions around the Fair activity. (Courtesy the artist and Circuit12 Contemporary, Dallas)
Anna Ostoya's "Ovals," 2016 at Bortolami Gallery (Courtesy the artist and Bortolami Gallery, NYC and St. Louis)
Donald Moffett's "Lot 111916 (fleur, chartreuse)," 2016, at Anthony Meier Fine Arts (Courtesy the artist and Anthony Meier Fine Arts, San Francisco; photo Christopher Burke Studio, NYC)
Nina Chanel Abney's "Who," 2015, at Night Gallery (Courtesy the artist and Jack Shainman Gallery, NYC)
David Salle's "Big Wheel," 2017, at Skarstedt Gallery (© David Salle, licensed by VAGA, NYC; courtesy the artist and Skarstedt Gallery, NYC)
Sedrick Huckaby's "Gone But Not Forgotten," 2017, at Valley House Gallery (Courtesy the artist and Valley House Gallery, Dallas)
Abel Alejandre & Chales Swenson's "Untitled (Soldier)," 2017, at Coagula Curatorial (Courtesy the artists and Coagula Curatorial, L.A.)
Billy Childish's "Self Portrait Wearing Red Shirt," at The Goss-Michael Foundation (Courtesy the artist and Carl Freedman Gallery, London)
René Treviño's "Renaming the Constellations, Blue," 2016, at Erin Cluley Gallery (Courtesy the artist and Erin Cluley Gallery, Dallas)
Adam Fuss' "Wish," 1992, at PDNB Gallery (Courtesy the artist and PDNB Gallery, Dallas)
Tony Feher's "My Gay Lover," 2003, at Anthony Meier Fine Arts (Courtesy the artist and Anthony Meier Fine Arts, San Francisco)
Anthony Sonnenberg's "Pair of Pity Party Potpourri Vases #2," 2016, at Conduit Gallery (Courtesy the artist and Conduit Gallery, Dallas)
Keer Tanchak's "Hania," 2017, at the Dallas Contemporary (Courtesy the artist and the Dallas Contemporary)
Miguel Covarrubias' "Clark Gable vs. Edward, Prince of Wales," from the "Impossible Interviews" series in "Vanity Fair," 1932, at the Dallas Museum of Art (Collection Vicky and Marcos Micha Collection, Mexico)
Pia Camil's "A Pot for a Latch," 2016, at the Dallas Contemporary (Photo Maris Hutchinson / EPW Studio, courtesy the artist and the Dallas Contemporary)
The Dallas Architecture Forum presents architect to the art world, Annabelle Selldorf, in an anticipated lecture at the Dallas Museum of Art. (Photo Christopher Sturman)
Jordan Nassar's "Blue Horizontal," 2016, at Anat Ebgi (Courtesy the artist and Anat Ebgi Gallery, L.A.)
The start of April packs enough culture and art action into Dallas’ visual mise en scène to comprise its own season. Here’s where to be, who to see, what to collect, the biggest buzz, and the prime parties.
THE MAIN ATTRACTION: DALLAS ART FAIR
For its ninth year at Fashion Industry Gallery (FIG), the Dallas Art Fair soars to more than 90 galleries. But it’s the quality, not the quantity that has garnered attention, not only in America (especially New York) but internationally. Three-dozen dealers hail from London, Bogota, Dublin, Amsterdam, Brussels, Paris, Monterrey, Geneva, Madrid, San Juan, Dubai, Berlin, and Tokyo.
Go-Go Gagosian: One of 30-plus new exhibitors is the booth that’s the talk of town: the $1 billion global Gagosian empire. Will Larry Gagosian make a Dallas personal appearance? You’ll only have to wait until Thursday to find out. Curating a special monographic presentation, Gagosian rolls out a cheeky solo that’s locally topical, tapping Italian-born and L.A.-based Piero Golia.
No stranger to Dallas audiences, Golia will create an installation based upon his popular evocation Chalet Dallas at the Nasher Sculpture Center (2015 through 2016); included will be a series of Mariachi Paintings, which commemorate his Nasher closing act set to a band of mariachis. The canvases are formed from stretched and cut swatches of the actual stage curtain that came down as an exhibition finale; text fragments are inscribed in cursive letters from the curtain’s memorable message, straight out of Looney Cartoons: “That’s All Folks!”
Collectors will vie for bronze sculptures based upon Golia’s Chalet furniture, as well as a miniature model of the artist’s fictional studio in the aftermath of the Chalet’s disassembly.
We’ll Take Manhattan: Two other big-gun New York dealers, Lehmann Maupin Gallery and Skarstedt Gallery, are recommended for their powerful stables, filled with names from current and future art history. Lehmann boasts Juergen Teller. If you’ve dined at the new Forty Five Ten on Main’s Mirador restaurant you’ve encountered Teller’s large-scale photographs of color-saturated food dishes.
Also in Lehmann Maupin’s stable is Billy Childish, whose idiosyncratic figurative canvases almost pass for outsider artwork. (He’s also headlining at The Goss-Michael Foundation). Skarstedt’s booth will include figurative master David Salle, last seen at his sensational Dallas Contemporary exhibition in 2015.
Watch Manhattan dealer Bortolami Gallery for an engaging solo by Anna Ostoya, whose work is loosely figurative/architectural and utterly original. And we never miss a visit to Jill Weinberg’s Lennon, Weinberg, Inc. for the best tales and infinite knowledge of Joan Mitchell, who was a mentor.
You’ll always find a killer Mitchell (or two) in the booth, as well as two other good bets: elegiac canvases by Texas-Maine painter Carl Palazzolo and glorious colorfield canvases by the late Stephen Mueller.
The Internationals: Pay attention to Galerie Perrotin, based in Paris and New York with outposts in Tokyo, Hong Kong, and Seoul. The gallery is home court for Daniel Arsham, who has been exhibited in Perrotin’s Fair booth every year since 2015. Arsham also generated buzz and acclaim for his collaboration with Pharrell during Dallas’ 2016 Soluna.
The internationally recognized artist mines the wisdom of ancient civilizations, obsessively incorporating materials imbued with talismanic auras. Nature, science, history, the supernatural, and the unexplained are touchstones of his almost alchemical installations and sculpture.
Independents Arise: Indie dealers, especially of the international bent, add a depth and earnestness to this Fair that may even be missing from Art Basel’s iterations. Chief among these is Misako & Rosen of Tokyo, whose exhibition program often features small-scale treasures that demand close viewing — the DMA regularly acquires from them — and Brit import Workplace Gallery (Gateshead and London), where the Lancaster twins, Laura and Rachel, sold out last year even before the Preview Gala.
Then beeline to Dubliner Kerlin Gallery, with its stable of Callum Innes’ vapory canvases and Liam Gillick’s futuristic architectural interventions. From another part of the globe, check out Lawrie Shabibi, Dubai, one of four dealers that the Dallas Museum of Art shopped in 2016 with its acquisition budget of $50,000 (now doubled for 2017).
L.A. + San Francisco Confidential: Also generating buzz are West Coast arrivals. The L.A. contingent features Anat Ebgi, Cherry and Martin, Coagula Curatorial, Night Gallery (bringing a 8 x 9- foot spray-painted canvas that addresses police brutality by Nina Chanel Abney), Richard Heller Gallery, Hannah Hoffman Gallery (progeny of Dallas’ munificent collecting couple, Marguerite and the late Robert Hoffman), Mier Gallery, and Parrasch Heijnen Gallery (we’re hoping to see more of Peter Alexander’s ’60s-era lightand- space sculpture and ceramics by Ken Price or Peter Voulkos).
San Francisco notables include Jessica Silverman Gallery and Anthony Meier Fine Arts; at Meier, we predict works by Tony Feher and Donald Moffett will be catnip for collectors.
Rooting for the Home Team: Ten Dallas dealers also take up residence at the Fair — a healthy 10 percent of exhibitors. Aesthetics and exhibition programs vary from the messy vitality of Ro2 Art with its democratic price structure and salon-style install, to the blue-chip presenter of Texas art, Talley Dunn Gallery.
Conduit’s booth edges to the Gothic, including a stash of Anthony Sonnenberg ceramics. Sleuth out Patrick Turk’s Cabinet of Curiosities collages at Cris Worley Fine Arts. Barry Whistler’s reductive minimalism highlights new enamel on vellums by Jay Shinn and Andrea Rosenberg’s works on paper that nod to Mother Nature, while Valley House showcases notable Texans, including Amon Carter-exhibited Surrealist Valton Tyler and National Portrait Gallery-anointed painter Sedrick Huckaby.
Erin Cluley again curates a booth with her smart new (mostly) Texans. Among the best news for photo collectors, PDNB Gallery returns after an absence of several years; don’t miss Adam Fuss, and other canonical photographers.
The Parties: The de rigueur Preview Gala for Dallas Art Fair, Thursday, April 6; Dallas Contemporary Members Opening Night, Friday, April 7; and Eye Ball at The Joule, Saturday, April 8 — the ultimate art frolic, when dealers and collectors let down their hair and Fair co-founders John Sughrue and Chris Byrne toast year nine.
For entrée to most of the above, secure a Patron Pass. Head to dallasartfair.com ASAP if you haven’t already done so.
ON THE TOWN
Symbiotic salons, exhibitions, music fests, and speakers surround Dallas Art Fair.
Powering Up: The Power Station’s posthumous survey for the late American nihilist master Steven Parrino is a gem of a contemporary show (through June 16). Titled “Dancing on Graves,” its opening on Wednesday, April 5, is the unofficial kickoff to the Fair action, and the beginning of a nonstop five days of mega art activity.
Dallas Contemporary All Female Triple Play: Kudos to the Dallas Contemporary for aligning its Fair-time exhibition with an immersive international lineup of solos: Mexico City artist Pia Camil, commenting on Mexico-U.S. relations and consumerism; Pakistan-born Ambreen Butt, who currently lives in Texas, addressing feminism and globalism; and Dallas-based painter Keer Tanchak, dialoguing with 18th-century French luxury as rendered in the canvases of Fragonard and Watteau (Members Opening Night Friday, April 7; showing through August 20).
A Side of Music: For the first time, music programming is in the mix. It all goes down Friday, April 7, 4 to 7 pm, on the lawn of Fashion Industry Gallery. PaperCity music critic Matthew Ramirez broke the story online: “Focusing on local, homegrown talent, art critic Lee Escobedo (of Nasher Sculpture Center Magazine, Berlin Art Link, and Art Desk) has curated an exciting lineup of performers.
Headliner Sam Lao is a fierce hip-hop emcee, whose fiery lyrics and vibrant ‘Pineapple’ video were featured in Paper magazine. Read about the full lineup here.
Other Walls Piggyback: Many Dallas art galleries plan stellar programming to take advantage of the amplified energy and outof- town eyes. Case in point is Texas painter Howard Sherman, a UNT grad with a hefty following of Dallas collectors due to his raucous ab-ex canvases.
Sherman, whose canvas also graces the cover of the book Texas Abstract, debuts with Circuit12 Contemporary, timed to the Fair — a must-see satellite show in the Dallas Design District (through May 6).
Mexico and Spain Calling: A blockbuster and a jewel, each employing connoisseurship and scholarship, are perfectly aligned at the Dallas Museum of Art (“Mexico 1900- 1950,” featuring Kahlo, Orozco, Rivera, and other avant-gardists, through July 16) and the Meadows Museum (“Between Heaven and Hell,” an epic drawing survey of Spanish 17th-century master Jusepe de Ribera, through June 11).
These shows alone would be enough for any collector or art acolyte to pilgrimage to Dallas.
Collection City — GMF and Karpidas: Two other Dallas Design District destinations boast tony private collections and not-to-be-missed exhibitions. At Karpidas Collection, peruse Richter, Warhol, Wols, and 27 more talents in “La chute d’eau, le gaz d’eclairage …” organized by guest curator Olivia Shao (through April 29).
The Goss-Michael Foundation rolls out a solo for painter Billy Childish (also in the stable of Fair exhibitor Lehmann Maupin, through April 14). Childish’s disarming figuration makes him a compelling original.
Talk Architecture: On Wednesday, April 5, the architect to the museum and gallery world, Annabelle Selldorf speaks at the Dallas Museum of Art, in collaboration with the Fair. Selldorf is an heir to the influence wielded by Andrée Putman; she dishes design and behind-the-scenes sensibilities from commissions for eminent clients including the Frick Collection, Neue Galerie, Hauser & Wirth, the Whitney, and the Venice Biennale.
For Fair schedule, Patron Pass, tickets, and exhibitor list, visit dallasartfair.com.