Pablo Picasso's "Jacqueline Reading," 1964, at Arnoult Fine Art Consulting at the Texas Contemporary Art Fair.
Retna’s "You Stole My Style You F***in Punk," 2016, at Maddox Gallery
Shaun Downey’s "Eyelash," 2018, at Arcadia Contemporary
Gabi Trinkaus' "ADDI," 2018, at Claire Oliver Gallery
Hunt Slonem's "Goal (Multicolor Bunnies)," 2016, at Laura Rathe Fine Art
Lorenzo Fernandez’s "Fortaleza," 2016, at Galerie Taménaga
Robert Longo's "Cindy," 2002, at Adamar Fine Arts
Monique Prieto's "Fandango," 2014, at Chimento Contemporary
Jan Rattia's "Still, Life," 2018, at Cindy Lisica Gallery
Helen Altman's "Last Supper (detail)," 2018, at Moody Gallery
Melisa Taylor Metzger's "Cascada 1 (The Seismology of Cantilvered Hearts)," 2018, at Stella Ripley
Chris Roberts-Antieau’s "White Lights, 2017," at Antieau Gallery
Alfredo Romero's "Coca Cola Forever," 2016, at La Sala Art Gallery
Fairs can lift an entire art community, energizing the artists, collectors, curators, and gallerists — as well as the curious, especially those with pockets and interests that align with the critical mass of a fair and its often dazzling private tours, parties galore and cool educational components.
Houston is welcoming the seventh edition of Texas Contemporary Art Fair this week, and hopes run high. Presented by Brooklyn-based Art Market Productions — whose portfolio includes the Seattle Art Fair, backed by Microsoft big daddy Paul G. Allen — expectations abound around what promises to be the most robust (in terms of exhibitor numbers) year of the Texas Contemporary to date.
While Hurricane Harvey prevented last year’s fair, that cancellation provided an opportunity for a reset. The show is Thursday through Sunday, October 4 through 7, at George R. Brown Convention Center, for the first time ever without a competing fair. The once rival Houston Fine Art Fair is no more — nor thankfully will our museum types and collectors be fractured or forced to dash across town to see and be seen at two different fairs on opening night.
Texas Contemporary director Kelly Freeman says there’s been exceptional interest in exhibiting in Houston from galleries across the United States, Europe, and Asia. The complete exhibitor list is still in formation, but Freeman says it could go as high as 75 dealers.
Attendance is expected to crescendo for Opening Night, with more than a 1,000 art lovers set to attend, while 10,000 people are expected to flock to George R. Brown for the Fair over the weekend.
Matt Johns, art-smart event and content producer, returns to orchestrate VIP surprises. Pay close attention to the VIP Lounge, where Johns has tapped BeDesign in collaboration with Contour Interior Design to create a captivating design-plus-art experience.
Insider tip: Acquire a Preview Pass and partake in Opening Night on Thursday, October 4 from 6 to 10 pm, including a first-look cocktail party. Attendance is de rigueur for serious collectors. The $150 ticket, as always, benefits Contemporary Arts Museum Houston, Texas Contemporary’s long-term museum partner.
Notable National Artists
Gallerists from around the country are putting chips on the Texas Contemporary. Peruse Miró and Albers lithographs at heritage Manhattan dealer ACA Galleries, as well as paintings by American rocker John Mellencamp.
At Claire Oliver Gallery, Gabi Trinkaus’ very-now collages probe identity politics — the artist’s feminist outcries are formed from cut magazine clippings upon canvas.
At Canadian Stella Ripley, the street-art-influenced spray-painted panels by Melisa Taylor Metzger remind us that high and low can happily dialogue.
New York-headquartered Uprise Art — known as a disruptor of the traditional art economy for its online platform — exhibits for the first time in Houston. Our pick from Uprise’s stable is Ward Roberts’ nuanced photography of architecture and place, which pays tribute to abstraction.
L.A. darling Chimento Contemporary brings the highly regarded Monique Prieto, a museum-collected West Coast painter who is among the best of her generation for melding biomorphic and color-field abstraction.
And from Denver, Robischon arrives, home to sculptor Judy Pfaff and grande dame installationist Ann Hamilton.
Power NYC gallerist ZieherSmith is also in the lineup.
Internationals worthy of your radar include Galerie Taménaga (Paris, Tokyo, and Osaka); Latin American dealer Galería Moro, whose booth highlights small early geometric jewels by Jesús Rafael Soto; and Japanese dealer Gallery Kitai distinguished by its presentation of the lyrical sumi-ink-on-paper paintings by Reiko Tsunashima.
For a dose of Pop, head to La Sala Art & Design Gallery, from Yucatan, where Alfredo Romero creates paintings alluding to classic beverage signage, Corona to Coca-Cola.
And shop works by cult-fave Retna at Maddox Gallery, in from London.
Six Houston gallerists present their wares: Moody Gallery, David Shelton Gallery, Cindy Lisica Gallery, Pablo Cardoza Gallery, Guerrero-Projects (as well as its parent gallery, based in Mexico City), and private gallerist Zoya Tommy Gallery.
Tommy plans a booth with collectible works on paper, including iconoclastic Houston artist Mike Hollis and Cesar Martinez, most recently seen in the CAMH San Antonio survey.
Moody Gallery curates headliners such as Michael Bise, concurrent with his gallery show at Moody.
At David Shelton, expect a powerful presentation of Vincent Valdez (fresh from his installation of a controversial, prescient new work at the Blanton Museum in Austin), alongside Robert Hodge, Joey Fauerso, and more.
At Cindy Liscia, find the highly affordable light-and-space ceramics of Angel Oloshove; Jan Rattia’s photography that alludes to identity and gender issues; and portraits by Tokyo-born Yasuyo Maruyama.
Pablo Cardoza Gallery — home to legend Mark Flood — resurfaces with a booth stocked with a Houston stable, including the crystal-encrusted canvases of Bret Shirley.
Just in: Laura Rathe Fine Art, consultant Elise Arnoult, and 14 Pews also take booths.
Find tickets, programming, and who’s exhibiting here.
All images courtesy of the artist and their respective galleries.