Jill Brown’s trove of books and mementos fill the library in her Belgian-inpsired Bellville, Texas retreat. (Photo by Jack Thompson)
Jill Brown’s Belgian-inspired country house in Bellville. Architecture Reagan & André. (Photo by Jack Thompson)
A painting in the foyer purchased in Belgium echoes the straw-colored walls. (Photo by Jack Thompson)
Antique painted chest by Lew Hudnall. White vases made for Goyard in Paris. Antique iron window from Belgium. (Photo by Jack Thompson)
Napoleon III ebonized table doubles as a workspace and dining table in the library. Embroidered Pollack fabric on the chairs is reminiscent of an American alphabet sampler. (Photo by Jack Thompson)
Brown’s trove of books and mementos. (Photo by Jack Thompson)
A reading nook in the library with a vintage Eames chair and ottoman. Shelves hold books on travel, art, design, history, and philosophy. (Photo by Jack Thompson)
The living area’s Victorian sofa is one of a pair Jill Brown inherited from her husband’s family. The antique, red-velvet Belgian chairs have seat cushions covered in gently frayed fabric that belonged to her husband’s mother. Antique bench painted by folk artist Lew Hudnall belonged to Brown’s mother. Antique ceiling fixtures from Brown House & Wares. (Photo by Jack Thompson)
The living room chairs are Napoleon III, re-covered in ochre-color wool. Brown made the coffee table from an antique coromandel screen. (Photo by Jack Thompson)
Jill Brown designed the Shaker-style kitchen cabinets. The countertops are bluestone from Belgium. Light fixtures from Brown House and Wares. (Photo by Jack Thompson)
Jill Brown’s bedroom, with draperies made from antique embroidered fabric, and a quilt inherited from family. (Photo by Jack Thompson)
In Brown’s bath, the floor is antique encaustic tiles from an old house in Belgium. (Photo by Jack Thompson)
In the boys’ bedroom, a portrait discovered in Belgium. The chair is a contemporary reproduction of a 19th-century one designed by Roy Flanders. (Photo by Jack Thompson)
In the upstairs bath, a reclaimed-pine console holds a pair of sinks. Unstained pine-wood floors give an aged look. (Photo by Jack Thompson)
In the bedroom, the vintage rug is Turkish. Curtains are Ralph Lauren fabric. Painting from Belgium. (Photo by Jack Thompson)
In a bedroom in Jill Brown’s farmhouse, vintage painting, chair, and bed were purchased in Belgium. Vintage rugs sourced by David Brantley. (Photo by Jack Thompson)
A guest bath with antique mirror from Belgium. Light fixture from Brown House and Wares. (Photo by Jack Thompson)
Jill Brown is a country girl at heart. “I grew up in Ohio on a family farm, and some of my fondest memories are plowing corn,” she says. “I’d rather be in the country than anywhere else.” So, at least twice a week, she heads to her farm in Bellville, Texas, a little over three hours from Dallas and near the town of Round Top and its antiques shows. Brown fell in love with the charming, historic town seven years ago while hunting for a rural house to buy and renovate. The right one never materialized; instead, she discovered six acres of bucolic woodlands and meadows for sale — the perfect land on which to build a family retreat.
“I wanted to build a modest family house where we could enjoy the outdoors and make lots of memories,” she says. Her grown sons and their families often join her there, tending a small kitchen garden that includes a blueberry patch planted so her young granddaughter can enjoy picking berries.
The house was designed by late Houston architect Reagan Miller of Reagan & André, who understood the simple and humble feel Brown was going for. “He grew up on Iowa farmland, and we were on the same page from the get-go,” she says.
Old American farmhouses and barns built from wood inspired the architecture, but there’s also a distinct Belgian farmhouse influence, with arched windows and doors and exterior portions clad in painted brick. Brown lived in Belgium during the 1990s with her late husband, Foster Brown, where she first fell in love with the design and architecture. Back home in Houston, she began importing Belgian lighting and furnishings, and her Houston-based line, Brown House & Wares, is sold via her website. She also has a regular booth at Blue Hills in Round Top during the shows.
A Home Where Everything Has Meaning
Brown spent the months during COVID at her country house in Bellville, Texas, working and planning future projects. A large ebonized Napoleon III table in the library serves as an ideal surface to spread out her work papers and catalogs. “It’s where I do everything, from sourcing products to sorting through European orders and wires,” she says. “We even have our meals there. I love eating and entertaining surrounded by books. If people look at the titles on the shelves, they probably know more about me than I want to reveal.”
Tucked among books on travel, art, design, history, and philosophy are “small parts of our lives, like mom’s baby shoes and rocks that belonged to Foster’s grandfather,” she says. “Everything has meaning.”
The house may be less than a decade old, but many aged and beautifully patinated elements give it timeworn character, such as antique pine floors and antique Belgian iron windows. The kitchen countertops and laundry-room floor are made from slabs of old weathered bluestone from Belgium. Both bathrooms have handmade encaustic tiles reclaimed from an 1869 Belgian house. “We intentionally tried to make the house look old,” she says. “People always think it has been around a really long time. But it’s a house built from things collected from over time — it’s very autobiographical.”
In Brown’s country house, everything comes with a story. “A lot of the furniture and art are family pieces,” she says. “Ohio is a hotbed for Americana, and my mother collected really good American folk art. I grew up with those things.” She inherited part of her mother’s large collection of furniture and decorative items by Lew Hudnall, an Ohio folk artist from the mid-20th century who hand-painted charming country scenes and animals on furniture and toleware. He was a friend of Brown’s mother, who often brought him antique benches, chests, and chairs to decorate. At one time, she had amassed the largest collection of his work.
A pair of ornately carved Victorian sofas in the living room once belonged to her husband’s grandmother in Tennessee. “They were a part of that family from the time I met Foster,” she says. “When his parents passed away, I took them and extended the legs, re-covered them, took some of the embellishment off the top.”
She placed them next to a pair of faded red crushed-velvet wing chairs she bought in Belgium and had seat cushions made from gently frayed fabric that belonged to his mother. Brown is passionate about fabric and pattern. A handsome antique crewel fabric that hangs at a window in her bedroom was destined for the landfill when Brown discovered it 30 years ago in a trash pile in front of a Michigan estate belonging to the founders of the Packard automobile company. She took the fabric home and turned it into draperies, which she’s used in many of her houses over the decades.
New and Uncommon Discoveries
Interior designer David Brantley helped her source new fabrics and rugs. “He would bring a big bag full of samples to dig through, and I would get so excited the night before we met that I couldn’t sleep,” she says, laughing. Among Brantley’s finds is an embroidered Pollack fabric — a charming riff on a classic American alphabet sampler — which she used to cover the chairs around the library table.
The alphabet sampler holds a particular fascination for Brown, who is charmed by anything to do with didactics and schools. “When I lived in Belgium, I’d do the markets very early looking for art,” she recalls. “I’d pull out folios of kids’ schoolwork and drawings — anything that is authentic and shows the work of a maker.”
She also discovered portraits by unknown or under-the-radar Belgian artists, many of which she’s hung throughout her country house. A bedroom for her sons — her favorite room in the house — is decorated with quirky portraits of men and boys collected from her time overseas as well as an oil painting of Foster’s great-grandfather, Roderick Random Butler.
Brown’s passion for uncommon, deep wall colors was reinforced further while she was living in Belgium, a country known for austere interiors awash in sumptuously brooding hues.
“In Brussels, I stumbled across Agnès Emery’s shop, and I still remember how my heart skipped a beat,” Brown says.
Painted in the rich “dark and toasty” colors Brown adores, Emery’s store sells hand-tinted paints and artisan tiles, fabrics, and wallpapers. “Her colors are complex and beautiful, and it’s the chart I pull out most for projects,” Brown adds.
In her country house, toasted ochre and deep-caramel walls embrace rooms and their cherished contents like a warm hug. Colors, fabrics, furnishings, and art all remind Brown of where she’s been and the people she’s loved.
“We are building memories in this house,” she says of the Bellville, Texas home. “I think about things like that when I hear my granddaughter’s feet in that attic room above. This is what life is about.”