Christopher Robertson and Vivi Nguyen collaborated on design of this River Oaks dwelling that echoes the site's midcentury heritage. (Photo by Jack Thompson Photography)
The living room at 2 Tiel Way is at the same location as that of the MacKie & Kamrath home that was original to the site. (Photo by Jack Thompson Photography)
The Robertson Design home overlooks a verdant ravine leading to Buffalo Bayou. (Photo by Jack Thompson Photography)
The center courtyard adds light and greenery to the house interior. (Photo by Jack Thompson Photography)
One of two axises which run through the house and are anchored by the interior courtyard. (Photo by Jack Thompson Photography)
One of two axises which run through the house and are joined by the interior courtyard. (Photo by Jack Thompson Photography)
A swimming pool accents the formal interior yard. (Photo by Jack Thompson Photography)
A vertical screen separates the open dining/kitchen expanse from the great room. (Photo by Jack Thompson Photography)
The modern kitchen (Photo by Jack Thompson Photography)
The ceiling of the great room soars as if in a cathedral. (Photo by Jack Thompson Photography)
A deck across the back of the River Oaks home overlooks a ravine which is lush with jungle-like vegetation. (Photo by Jack Thompson Photography)
The deck across the back of the Robertson Design house leads down to the ravine. (Photo by Jack Thompson Photography)
The lengthy hallway connects bedrooms. (Photo by Jack Thompson Photography)
The master suite designed by Christopher Robertson and Vivi Nguyen. (Photo by Jack Thompson Photography)
The master closet (Photo by Jack Thompson Photography)
The master bath is designed with the shower and tub as a wet room. (Photo by Jack Thompson Photography)
A quiet corner in the midcentury modern dwelling. (Photo by Jack Thompson Photography)
When architect Christopher Robertson took on the task of remodeling the MacKie & Kamrath home at 2 Tiel Way in River Oaks, the original plan was to merely update and follow the mid-century modern footprint. But as he got into the project, he says, “We quickly found that it was a fool’s errand. We would have had to rebuild the whole thing anyway.”
Robertson and his wife, architect and partner Vivi Nguyen, devoted two years to designing and building the dwelling on the banks of Houston’s Buffalo Bayou creating a sophisticated abode that speaks to the modernist creative bent that informs much of their work. (Their own home, an homage to Japanese minimalism, was featured last month in Architectural Digest.)
“We both strive to create spaces that really elicit emotional responses,” Robertson tells PaperCity. “With this house we felt like the material palette and the light and the indoor/outdoor connection does that. It was less about how does the house look. It was more about how does the house make you feel.”
The dwelling indeed has an emotional pull from the vast expanses of glass that overlook an almost jungle-like ravine landscape on one side to a manicured minimalist garden on the other. As one tours the house with Robertson, excitement soars just as the ceilings of the cathedral-like great room and dining room wing upward.
Two primary axises, anchored by a sunny yet lush interior courtyard, lead the visitor on the journey that had one guest comparing the sleek residence to that of an Aman hotel, the international luxury hotel group noted for its modern design. Robertson was pleased by the analogy.
“There is a sense of movement to the design,” he says. “As you move through the house you get such varied experiences.”
There is the sophisticated coziness of the living room, the airiness of the open plan kitchen/dining room and its relation to the great room; the elongated hallway, reminiscent of Frank Lloyd Wright, that connects the bedrooms and master suite to the main structure; and the addition of an exterior deck running the length of the ravine on one side.
The selection of materials used the in the design create powerful imagery as well including rift cut white oak, Siberian larch, hand-troweled plaster, black granite and leather accents. Elements such as the copper roof and copper wall panels
“We used his (Kamrath) core ideas and ran in our own direction,” Robertson notes.
They raised the house, which flooded during Harvey, four feet, two feet above the flood level. The house now appears to be “floating on the landscape.” In consideration of the original design, the living room is to the left of the entry and the bar is tucked behind cabinetry just inside the front door.
While the house was custom built for a specific client, fate intervened and the house went on the market, listed with Jay Monroe of Martha Turner Sotheby’s International Realty. With an initial price tag of $6.5 million, it sold shortly after the first open house.